Version 2 of Aided Chon Roí “The Violent Death of Cú Roí”: A Translation

A few weeks ago I posted a translation of the Egerton 88 version of Aided Chon Roí “The Violent Death of Cú Roí.” As I pointed out in the introduction to the translation, there are three different versions of this text. The Egerton 88 text is considered to be the oldest and Rudolf Thurneysen dated it to the 8th or 9th century, and so this is called “Version 1.”  This version of the text had only previously been translated into German, and so I wanted to make an English translation of the text available. The third version of the text is the longest version, and the one most people are familiar with. It has been translated into English by R.I. Best (1905) and by Maria Tymoczko (1981) in Two Death Tales from the Ulster Cycle. A translation of this version can also be found in T. P. Cross and C.H. Slover’s Ancient Irish Tales (1936). As far as I can tell though, Version 2 of the text, preserved only in MS Laud Misc. 610 and edited by Kuno Meyer in the 1883-5 volume of Revue Celtique, has never been translated at all.  (Although as CODECS notes certain passages were translated into German in Thurneysen’s edition and translation of the Version 1 Egerton 88 text.)

The second version is sometimes described as a “fragment” of the third version because it seems to contain a subset of that text. I would not consider it a fragment, however, as it does contain a coherent narrative. It begins by explaining why the Ulstermen had to kill Cú Roí and then goes on to explain how they did it. It offers far fewer details than Version 3, but nonetheless offers the full plot of the story.  What the second version mainly does is serve as an introduction to the poem Brinna Ferchertne, which immediately follows it in the manuscript. Brinna Ferchertne itself has been translated several times, and I will link to a translation of it at the end of this post so that readers can go on to read everything that Laud Misc. 610 has to offer about the death of Cú Roí.


What brought the Ulaid to kill Cú Roí?  It is not hard to explain. It was in revenge for violating Cú Chulainn regarding Bláthnait, daughter of Mend or Poll1 mac Fidaig, who was taken at the siege of the men of Falga, and regarding the three red-eared cows of Iuchna or Echde, and regarding the three men of Ochain, that is, three birds that were on the ears of the cows, the red-eared cows, when they used to yield (milk) into the cauldron. For they did not yield without it, that is, the cauldron was before them and until the birds were on their ears singing to them.  For it is the cauldron that used to take the duty of a calf to them. Thirty oxen was the content of that cauldron, and its fullness every time is what was milked from them. From which Cú Chulainn sang:

There was a cauldron in the fort,
calf of three cows.
Thirty oxen in its mouth
was not a burden to it.

They used to visit that cauldron
– it was a pleasant undertaking.
They did not leave him,
until they left him full.

There was much of gold and silver in it
– it was a pleasant find.
I took that cauldron
with the daughter of the king.

Cú Roí said to the woman, when he saw the Ulaid in the morning coming towards his fortress to him through the mist of the morning: “Isn’t that a host?”

“It is not a host,” said the woman, “but herds of cattle.”

From which Cú Roí sang:

If they are herds, and so that they are herds, 
they are not herds of thin cows.     
There is a little man who carries a sharp blade
on the back of every single cow.

Then she urged sleep upon him, so that at that time she poured the milk of the red-eared cows into the stream, for that was the signal that she made to Cú Chulainn. That is, when the fortress was open and the man slept, she would pour the milk of the red-eared cows into the stream. It was done thus.  From this is Findglais named.

The Ulaid went and they killed Cú Roí in his bonds after he was bound by her, and they burned the fortress.  From which a certain seer said:

Who is the youth who kindles
at the side of the fortress of Cú Roí?     
If the son of Dáre were alive,
he would not burn together along with it.

From Samain until the middle of Spring, the slaughtering of the Ulaid increased, and a third on each side of the host was lost.

(The poem Brinna Ferchertne follows here. I link directly to the translation of Kuno Meyer on the CELT (Corpus of Electronic Texts) website.)


When I started this blog a few months ago, I hadn’t really intended to spend so much time on Aided Chon Roí, but I found there was so much to say that I didn’t want to move on.  There is still so much more to say, but I am now going to move on to some other things.  One of the things I love about the Ulster Cycle is that we do have these alternate versions of stories or specific events, and sometimes they contradict each other in very interesting ways. In my next post, I’ll be looking at some stories involving Medb and her extended family (her siblings and nephews) and how there are some alternate narrative timelines in play that are entirely incompatible.

  1. In Version 1, Bláithine is Conchobar’s daughter, and in Version 3 and in the Dinnshenchas of Finnglais, Bláthnait is the daughter of Mend, whose patronymic is not provided. In a note on his edition and translation of Version 3, Best points out that in the Book of Lecan version of the Dinnshenchas of Finnglais, Bláthnait’s father is named as Midir. It is not clear who Poll is or where the confusion about Bláthnait’s paternity comes from. []

Version 1 of Aided Chon Roí “The Violent Death of Cú Roí”: A Translation

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Like many of the other Ulster Cycle stories, there are different versions of Aided Chon Roí “The Violent Death of Cú Roí.” The list of translations of Ulster Cycle stories from Ulidia, the proceedings of the first conference on the Ulster Cycle,1 lists two prose versions and then lists two related poems as separate items: Amrae Con Roí “The Eulogy of Cú Roí” and Brinna Ferchertne “The Vision of Ferchertne.” CODECS instead lists three versions of Aided Chon Roí and combines the poems with the prose versions based on their being presented together in various manuscripts, although it also has separate listings for the two poems.

This is a bit complicated, so to simplify things I will refer to:

  1. Aided Chon Roí Version 1 (ACR1) – the Egerton 88 prose text.
  2. Aided Chon Roí Version 2 (ACR2) – the Laud Misc. 610 prose text
  3. Aided Chon Roí Version 3 (ACR3) – the longer prose text found in several manuscripts, including the Yellow Book of Lecan
  4. Amrae Chon Roí – poem
  5. Brinna Ferchertne – poem
  6. The Dindshenchas of Findglais – prose and metrical

There is also a version of the story found in Geoffrey Keating’s Foras Feasa ar Éirinn “History of Ireland.” Items 3-6 on this list have all been translated into English, in some cases more than once. As far as I can tell though, the Version 1 text has only ever been translated into German, and the Version 2 text has never been translated at all. (I’ll post a translation in a few weeks.) Broadly speaking, items 2-6 and the Keating version all seem to be based around the same core narrative, while Version 1 offers some significant differences.

In 1913, Rudolf Thurneysen’s edition and German translation of the Version 1 text was published. R. I. Best had previously included a transcription of this version of the text as an appendix to his 1905 edition and translation of the Yellow Book of Lecan copy of Version 3, saying that “I print it below, with its many and ambiguous contractions unextended, following the manuscript as closely as ordinary typography will permit. The whole text is very puzzling and obscure” (32).  Best also described this earlier version as “quite independent” of the later version. It is certainly different enough from the other versions of the story to deserve attention, and so I have decided to provide it with a publicly available translation into English.  This is a working translation, and certain passages remain unclear to me, but they seem to have given Thurneysen trouble as well, and that is greatly reassuring.  My goal here is not to resolve every issue of language and meaning, but simply to provide a readable translation that fairly accurately represents the content of the original.


The Ulstermen were in Emain Macha, and they saw one of the Fer Ecencaill coming toward them across the plain of Emain. He asked for Bláithine daughter of Conchobar, and he brought her away by her consent. The witch2 and sorcerer Cú Roí son of Dáre loved her.3 It was Echde Echbél who had done that, and no one of the Ulstermen knew except Cú Roí alone.

Echde, moreover, was in Ard Echdi, which was in Cenn Tire of the Fer Ecencaill. He had three special cows that were very speckled and pleasant.  It is because of this that “three spotted4 cows of Echde” is said. He had brought them from the big world, from the expedition from which he brought the belt of Úar Galmáir and the fidchell of the sons of Solomon. These three cows used to visit from Ard Echdi, into Semne and Láthairne. A copper cauldron was their calf. Sixty sesra5 was the fullness of the cauldron from each single day to another. It is of it that Cú Chulainn said in the Síaborcharpat:6

There was a cauldron in the fort,
calf of three cows.
Thirty oxen in its mouth
was not a burden to it.

They used to visit that cauldron,
it was a pleasant undertaking.
They did not leave him
until they left him full.

There was much of gold and silver in it,
it was a good find.
I took that cauldron,
with the daughter of the king.

The grazing of their land was a distress to the Ulstermen.  They were guarding their land. They gathered around the cows, but they escaped from them.  The Ulstermen went across the sea on the track of the cows until they were at the tower of Echde. They all went except Conall and Lóegaire. Cú Chulainn did not go.  It did not seem good to any of them.7

Cú Chulainn went after them. When he went into a boat, another young warrior of indifferent appearance overtook him. He had a dun tunic and a dun cloak and a copper muirnech8 in his cloak. They went across the sea as well.  They were granted three nights of hospitality.

The Ulstermen arose after Echde had fallen asleep.  They took the cauldron and the girl and much of the other treasures. When they had gone a great distance, Echde followed them across the sea. The cattle were given to Cú Roí in order to keep Echde away. The young warrior leapt from the ship so that he rose into (?) a great flood that was beside him to the south. That was the extinction of his life. Echde fell. He died.9

The Ulstermen and the young warrior came to the land of Ireland. They entreated him so that he would take all of the treasure and leave the cows and the girl with them until the end of a year. He was asked this again until the end of three years, and he did it. He came at the end of the year. In the end they were lying, and they did not allow him to take them. The meetings failed.

He himself took the cows and the cauldron and the girl from them. Cú Chulainn went after him. He placed his hand across the handle of the cauldron. The young warrior turned to him. He threw him from him into the ground, once to his knees, then to his hindquarters, then to his belt, then to his two armpits.10 Moreover, he then took the cows and the girl until he was at the fortress of Cú Roí, between it and the sea in the west. The cows produced [milk] then, after being driven without milking. An herb grew from it there. Its name is bo-eirne, for Cú Roí is of the Érna.

Then Ferchertne, poet of Cú Roí, came to the Ulstermen with a demand, and he took the Líath Macha.  Moreover, he took him for the sake of their honour. He came again after a month. The áes aisndisen “people of explaining” used to praise the banqueting hall of the Ulstermen and their king and their queen in the presence of Ferchertne. One time he arrived. He said…

[retoiric – There is a passage of retoiric here – a form of particularly obscure and difficult verse – that Thurneysen left out of both his edition and translation. I will also leave it aside for now. Best does include it in his transcription, but without any editing. Clearly though, Fercherne reveals the true identity of the “young warrior” who took the cauldron, the cows, and Bláithine and defeated Cú Chulainn.]

It is then indeed that they discovered that it was Cú Roí who had come and who had gotten the better of them.  The Ulstermen thought this a great distress.

Then Cú Chulainn went in the guise of a beggar so that he was in the fortress of Cú Roí. He recognized her, the daughter of Conchobar.  He told her of his doings for the sake of the Ulstermen and her father, in order that she would betray the man.

There was a copper ship from which he [Cú Roí] used to strike Alba and the islands of the sea besides, (and) he reached the big world. The woman betrayed him then. He told her through his sincerity in order to comfort her distress that there was a spring on the side of Slíab Mis in the west. A salmon used to appear there after seven years. A golden apple11 was in its stomach. This apple could only be cut with his own sword.  It is inside it that his soul was. The woman was in the west for seven years until Cú Chulainn came in the appearance of a leper, and it was another seven years from that until the salmon appeared.

She was waiting for that good fortune, moreover.  The Ulstermen went so that they were all in the plain to the north of the fortress. The man cast large stones at them so that they did not reach [him].  Cú Chulainn killed the salmon. That took Cú Roí’s strength from him, and his valour, and he said: “No secrets to women, no treasures to slaves.”12 Cú Chulainn killed him then and they took his victory.

Two from his household avenged him. Lúach Mór, Cú Roí’s charioteer, went into the chariot of Coirpre son of Conchobar and he carried him over the cliff so that they were killed. Moreover, Ferchertne, the poet, when he was brought to Bláithine, drove a dagger13 between her two breasts so that she died. He was killed at once. It is from this that the grave of Bláithine is at Luimnech, together with Ferchertne’s grave.


In my next post I will consider the description of Cú Roí as an ammait, which the Dictionary of the Irish Language defines as a “woman with supernatural powers, witch, hag; spectre.” The following post will turn to the fact that Cú Roí is apparently invincible due to his soul or life-force being hidden in an apple until he is tricked into revealing this to Bláithine. There are many, many interesting parallels for this, and I will discuss a few of them.

  1. Mallory, J. P. and Ruairí Ó hUiginn. 1994. “The Ulster Cycle: A Check List of Translations”. In J. P. Mallory and Gerard Stockman (eds) Ulidia: Proceedings of the First International Conference on the Ulster Cycle of Tales. Belfast: December Publications. 291-303. []
  2. The Irish word used here is ammait, which Thurneysen translates into German as “Hexenmeister.” According to eDIL, the word is gendered and used exclusively of women.   Its use here to describe Cú Roí is therefore noteworthy and will be the subject of a future post. []
  3. Please see the Addendum to this post in which I discuss this passage and offer the following updated translation: He asked for Bláithine, daughter of Conchobar, and she said: “According to his will, however I love the sorcerer and magician Cú Roí.” []
  4. Or possibly “dark red” (eDIL s.v. 2 erc) or “red-eared” (eDIL s.v. 4 erc). []
  5. A sesra is a measure of capacity corresponding to Latin sextarius, roughly 540ml.  The capacity of the cauldron would therefore be something like 32 litres. []
  6. The reference here is to Síaburcharpat Con Culaind “The Phantom Chariot of Cú Chulainn.” These three quatrains occur in the middle of a longer poem. There is no reference to Cú Roí or Echde or his cows or cauldron in the Siaburcharpat, however. These three verses are also included in the later versions 2 and 3 of Aided Chon Roí.  There are only minor differences between the four copies of these verses. []
  7. Thurneysen translates this line as “keiner von ihnen hatten Lust” – “none of them wanted to.” []
  8. The meaning of muirnech is unclear in this context. Thurneysen suggests that it may mean some kind of clasp or pin. []
  9. This passage is quite unclear. Thurneysen declines to translate it in full, rendering it as: “Der junge Mann sprang (?) aus dem Schiff, so dass … in eine grosse Flut (starke Brandung?), die südlich in seiner Nähe war. Das war … seiner Seele. Echde fiel. Er starb.” “The young man leaped from the ship so that … into a large flood (strong surf?) that was near him to the south. That was …  of his soul. Echde fell. He died.” There is no clear corresponding passage in ACR2/3.  I have translated “rose into a large flood” based on the verbal form -raidh, which I take to be a form of at-reig. It could also be a form of ráidid “speaks, says, tells, calls,” so maybe something like “he calls a large flood”?  I’m not sure that ráided can be used in the sense of “summons” though. I have translated “that was the extinction of his life” based on églach / éclach, which eDIL doesn’t translate but suggests could be connected to Modern Irish éaglach “extinction, death.” []
  10. This encounter is described in more detail in Version 3 of the story, where it ends with Cú Roí cutting Cú Chulainn’s hair off with his sword and rubbing cow dung on his head. []
  11. The primary meaning of uball is “apple,” and Thurneysen translates “Apfel” here, but also notes that the secondary meaning “Kugel” or following eDIL “any globular object, a ball” is also possible. []
  12. This phrasing echoes that found in a passage of verse spoken by Mac Dathó in Scela mucce Meic Da Thó: “Cremthann nía Nair said / You should not give your secret to women. / The secret of a woman is not well hidden. / Treasure is not repaid by a slave.” (My translation.) []
  13. eDIL s.v. cleittíne “small light javelin, dart (usually one of Cú Chulainn’s weapons); dagger(?).” I think dagger works best in this context. []